BHA on BBC Consultation "We want an end to the privileged status and position of religions and religious broadcasting by the BBC, and for some programmes about humanism or from a humanist perspective to be broadcast. In spite of legislation making clear that religions and beliefs, including non-religious beliefs such as Humanism, should be treated equally in terms of broadcasting, the BBC continues to resist doing so. We want the BBC to fulfil its obligations and include Humanist programmes in its broadcasting!"
Radio 4 Front Row from Tues, available to stream for a week "Lord Mandelson recently announced the government's plans for tackling illegal file sharing online. Under new measures, repeat offenders who ignore warning letters could have their internet connection removed. High-profile figures including Lily Allen and Radiohead's Ed O'Brien have been weighing into the debate over what approach the government and music industry should take to tackle the problem. Minister for Digital Britain Stephen Timms, CEO of UK Music Feargal Sharkey and Cory Doctorow, the journalist and supporter of copyright liberalisation, discuss the issues surrounding the file sharing debate." Plus a report on Health & Safety vs cartoon violence.
Lifetracks 03 : Antoni Maiovvi "For the next installment of Lifetracks, we sent the call out to our man in Berlin, the infamous italo maestro Antoni Maoivvi. Maiovvi has been busy spreading the synth l'amour across Europe and beyond, with second album Shadow Of the Bloodstained Kiss due for release on August 3, an imaginary soundtrack to a long-lost 80s giallo."
Pete says: "Hi all, Just got back from a rainy holiday, but while I was away a new Skip to the End appeared. This one is the result of radio interference/collaboration with London based podcast Radio Clash (http://www.mutantpop.net/radioclash/). Basically every 15mins of either podcast skips over to the other show. Therefore to hear the whole 60mins of Skip to the End you'll have to download my podcast from the usual www.thejuxtaposition.co.uk/skiptotheend.html and the Radio Clash podcast from http://www.mutantpop.net/radioclash/page/2/ Confused? You will be... I was going to draw you a diagram, but maybe Tim explains it better on his page. Probably better to just listen to the music and not worry about where it comes from. It was fun in the making and thanks to Tim for such excellent contributions, I know who got the better deal. Next show at the end of August will be the 2nd anniversary show, Still shit to the end. Pete"
"Craig McCracken knew it was a Powerpuff World the day he was driving along and saw Powerpuff piñatas for sale on the roadside. He pulled over, not to say "Cease" or "Desist" but to buy some. He was excited! It was a pop-cultural seal of approval. When he found a fan selling homemade Powerpuff Pez dispensers, he was excited again. Because it’s one thing to sign contracts with toy makers and clothing manufacturers to commercially exploit your images, but it’s a whole other thing, and in its way a cooler thing, to be ripped off, to have one’s copyright violated. Piracy is the sincerest form of flattery. It’s the free-market reflection of the voice of the people. "The weirder, more bootleg obscure stuff is always my favorite," says McCracken, who likes all the official, less weird stuff as well."
"It’s no secret that architecture has been hit by the recession (yes, even that impenetrable bastion of technical wizardry, jargon, theory, and - oh nevermind). 27-year old Seattle resident John Morefield can attest: he was laid off not once, but twice in a single year as projects dry up and small firms tighten budgets. So what’s a boy to do? Watch Peanuts cartoons and hang out at the local farmers’ market?
"Why yes indeedy. Morefield’s concept for Architecture 5¢ — edificially inspired by Charles Schulz’s psychiatrist booth for Lucy — is bringing architecture to the people, and people to the architecture. For a nickel, passerby can ask questions that range from simple (”What’s the best insulation to use next to concrete in a basement?”) to complex (”We have a 700-square foot Seattle bungalow and want to add a second story because we’re expecting our first child… Help!”)."
As an aside, there's an architect I'm working with on a new school at the moment. In meetings he makes sound effects as he sketches the ideas being discussed. It reminds me of the animation sequences from Rainbow. It tickles me every time. More people should soundtrack their lives like this. (Skip to 2:30 in the video if you don't have a clue what I'm on about.)
:: Saturday, March 14, 2009 :: The Children of the Hydra's Teeth
Mrs P, Slim and I attended the Ray Harryhausen book signing, Q&A and Jason and the Argonauts screening at the Watershed on Thursday. Seeing the film on the big screen was great. I maintain that it still looks better than most of the CGI fests that we see today. It’s a shame model animation is such a dying art. And seeing the man in person, still sprightly and chipper for his 89 years, was an inspiration.
It was a shame that the lip-sync was a couple of frames out. (Or was it always like that!?) I could also criticise the continuity, the colour matching, the acting and the characterisation, but that’s all irrelevant. I never thought I would quote Tom Hanks but as he said when presenting Harryhausen with a special Academy Award, "Lots of people say Casablanca or Citizen Kane is the greatest film of all time... no way, it's Jason and the Argonauts!" And he was right.
:: Sunday, November 23, 2008 :: A Different Kind of War
Music video for Shitmat "A Different Kind of War" (Death$ucker Records / Planet Mu Records) by Oliver Higgs. Check out the rest of his design work. Stunning.
"The Brothers Quay are among the few directors of animated film to have attained fame through the torturous and sometimes inconvenient road of auteur cinema. American by birth and English by adoption, the brothers, or rather twins Stephen and Timothy Quay, have, for more than twenty years, been making dazzlingly beautiful films that are at once disturbing and hermetic. Works which do not possess a definitive narrative path, but are immersed in a surreal, somnolent atmosphere caught half way between myth and nightmare." Interview
The .giferator 'a free automated animation based subliminal content absorption system for you' The result of a search for gusset is here [781KB gif]. I haven't embedded it due to size and risk of seizures. Good to see our Ask Dr Kim album cover in there. It seems to scrape the first page of Google Image results.
Not an entirely new idea (see Massimo Mattioli's "Squeak the Mouse" for example) but very nicely executed, if you forgive the phrase. But nice to see something other than Disney getting subverted for a change.
Talking of which, Grom recently linked to the stunning animationbackgrounds blog. This also focused a little too much on Disney for my liking. OK, so some of the artwork is amazing, but it's not the strange angled, hard lined, brightly coloured toons I grow up loving. Check the Warner Brothers and Tom and Jerry tags for that.
"Animation was the format of choice for children's television in the 1960s, a decade in which children's programming became almost entirely animated. Growing up in that period, I tended to take for granted the distortions and strange bodies of these entities.
"These Icons are usually grotesquely distorted from the human form from which they derive. I decided to take a select few of these popular characters and render their skeletal systems as I imagine they might resemble if one truly had eye sockets half the size of its head, or fingerless-hands, or feet comprising 60% of its body mass.
"These characters have become conventions that are set, defined, and well-known personas in our culture. Being that they are so commonplace and accepted as existing I thought I would dissect them like science does to all living objects - trying to come to an understanding as to their origins and true physiological make up. Possibly to better understand them and see them in a new light for what they are in the most basic of terms.
It was great to sit in a room full of nostalgic 30 to 50 somethings and enjoy these great pieces on animation again. Not that there is anything technically spectacular about them; it's the story telling, the pacing, the eccentricity, the music and the general mood that make them unique. Not to mention Oliver's voice.
There were a few things I'd never seen before. Like the "terrifying" Pogles episode "King of the Fairies" (watch when the witch appears). And I'd never even heard of Pingwings, which is brilliantly funny and touching at the same time, not just in it's naivety as they hadn't thought about the lighting problems shooting animation outdoors.
The BBC 4 documentary "Ivor the Engine" and the story of "Smallfilms" is on YouTube inthreeparts.
Oliver is now 84 years old and is in a retirement home so the event was being recorded for him. Keen to send him a message about how much his work is loved Phill Jupitus insists on all of the camera equipment being rearranged at the end so the whole audience can wave to him and send him their love. It was a funny, fantastical and heart warming afternoon.
Food Fight is an abridged history of American-centric war, from World War II to present day, told through the foods of the countries in conflict. Watch as traditional comestibles slug it out for world domination in this chronologically re-enacted smorgasbord of aggression.
Oddly I've just found an old (2003) Aphex video I've never seen before. Beautiful animation and nice long remix of one of the best tracks on Drukqs. Watch it.
"Wonder even sang a little dittie, with a harmonica, that was sung as if he were reciting the musical scales in ascending and descending order to the name of “Ba-rack O-ba-ma.”" Stevie Wonder sings for Barack... and it sounds awful. What was he doing?
In my mind it works best sung to the tune of Long Distance Clara from Pigeon Street. He should have tried that.
[That wonderful example of Alan Rogers artwork is available as a print from easyart.com. Thanks for the bandwidth!]
Next week, College Green will undergo a magical transformation into five nights of Winter Wonderland. Using 6 of the world's most powerful projectors to dress up the whole of the Council House with light, this very unique "visual feast" will feature a selection of short video animations by some of Bristol's leading creative talent.
Antivj is very proud and excited to have been asked to be part of this and Crustea [Antivj / Cuisine] will be the only one to do a live performance every night, at 9.40pm.
LIGHT UP BRISTOL College Green, Bristol city center Monday 17th to Friday 21st December Every night 6.30 to 10pm. Free!