This also means that the next Gusset gig IS BACK ON! Opening hours will be reduced to 3am as of 21 days from the hearing (14.01.10) but that will not affect this gig.
Smiler, 44, has just been re-housed in Dove Street after 20 years of homelessness, and has been helping the experts on the dig.
He said: "I am not sure how much homeless people will value the dig because they have a day to day existence – it's a shame but it's the way it is. But I do think it is worth doing because it teaches people how the homeless live.
"The most interesting thing I have found here today is a steri cup – an aluminium container people use to cook heroin. I was really surprised because people don't normally have them in Bristol."
Z-DAY from Peter Thomas on Vimeo. "In late October 2009 a meteor crashed into St Werberghs, Bristol U.K. While the initial damage was contained efficiently and promptly by the authorities, Solanum-based particles from the meteor quickly spread on the wind, infecting many of the local population and causing a class-2 zombie infestation/outbreak. Within hours, the walking dead had descended on Broadmead Shopping Centre in search of meat and brains... Few survived and many souls were lost that day, however a blood-stained video tape from a local underground film-maker was recovered from the wreckage... Following a press black-out, this film documents the fateful event (dubbed "Z-Day" by locals), and provides a rare and privileged insight into a full-scale zombie attack on a densly populated urban area."
Flavorwire » Blog Archive » DJ /rupture’s Favorite Cities and Songs "Bristol is amazing, and it’s especially amazing for all sorts of different types of bass music. For a track, it’s hard to say, because there’s so much dub, dubstep, UK garage, reggae, as well… all this stuff coming out of Bristol. But my favorite spot in Bristol, I think it’s a Sunday night party, is at this place called Cosies."
Tonight: An evening of multi-media events both indoor and outdoor to mark the official opening of the new foyer
Entry free on a first come first served basis - just come along on the night. No ticket required.
Doors will open at 17:30 and performances will start at 18:15 with African Drummers and Dancers
The event will feature Andy Sheppard' s Saxophone Massive, Adrian Utley's 'Music for Massed Guitars', The Emerald Ensemble, Richard Barnard, Cirque Bijou, Charles Hazlewood, Sheelanagig and more.
An evening of multi-media events both indoor and outdoor to mark the official opening of the new foyer featuring a 200 saxophone massive, a world premiere of a new choral work featuring over 80 voices, the ground-shaking sound of 100 guitars played in unison and, to end the night in style, a gypsy jazz hoopla.
:: Wednesday, June 03, 2009 :: The Bash Out Lectures with Dan Gusset and Friends
main room: jungle & multi core
the outside agency [aka dj hidden and eye-d - live bristol debut]
twinhooker & paulie walnuts [mad dem sound usa: soldiers in the streets tour]
duranduranduran [cock rock disco, planet mu - live birthday set!]
ely muff [headfuk/deathchant - live]
boep [aka schemeboy vs randomoidz - adverse camber]
bashout allstars [resident badmen]
upstairs: staggering bass abuse
rogue state ft. mc deadman [r8 recordings - bristol debut]
lief ryan [growth recordings - bristol debut]
noyeahno [rag’n’bone]
big d’s dancehall clearout
diode [aka el kano vs magimix - adverse camber]
davey t [dissident]
back room: the bashout lectures
dan gusset and friends
dubboy vs beavis inna rootstyle
& more tbc...
sat 20 june 2009 black swan, bristol 10 til 5, £8 b4 11, £9 after... tickets: £6 [plus booking fee]
The Bash Out Lectures with Dan Gusset and Friends
Dan Pope (aka Gusset) will be presenting an A/V performance of data bent versions of his urban exploring photos alongside a live drone/glitch soundtrack in room three of Bash Out at the Black Swan, Bristol on Sat 20th June (10pm – 6am).
Data bent images are intentionally corrupted digital images where the files have bits altered, cut around, have channels moved or filtered, and are otherwise bastardised to cause all forms of distortions and bizarre effects. Often the results are disappointing fields of black or images that refuse to open at all but persistence and luck can lead to intriguing results.
Like it's close relative circuit bending, where any electronic sound making device, usually a cheap children's toy, is dismantled and its circuitry randomly rewired, it's something that anyone can try. It may just be noise with occasional recognisable hints of what it once was, but there is a beauty to be found in there either by close study or by allowing it to wash over you.
Among the friends Dan has filled the rest of the line-up with will be a Dub Boy & Beavis - Inna Rootstyle, films from public space hijacker and Occasional Cinema organiser Badoni, and beatless soundscapes from Freq.
Last week someone stuck in front of me an article about a proposed eco-village in Hanham, on the outskirts of Bristol. Interesting as it was, all I could focus on was the graphic designer's hidden joke. Note the child on the tricycle approaching the cross roads from the right. Notice the slightly faster moving but further off runner heading towards the same junction. Then notice the clearly distracted cyclist, his head on sidewise, some distance away but bearing down at great speed from the left. This scene is about to get very messy.
This prompted me to look up what's currently going on with the Elizabeth Shaw Chocolate Factory redevelopment not so far away. (See some of Lisa Furness's photos of the closed down building here.) It seems the inspiration for the new development has been taken from a Brothers Grim story illustrated by MC Escher about a hunted shed. Not one I'm familiar with I'll admit.
There is a Second Look group photography exhibition, on the theme of Looking Up, at Photographique on Baldwin St from Thursday evening. I should have a couple of shots in there. Please come along and have a look.
Fri March 13th - Fri March 20th Mon - Fri 12-6pm; Sat 12-5pm Preview Thurts 12th, 6:30 - 8:30 pm
I posted about the free-for-all at the Bookbarn a couple of weeks ago. The opening of the doors at the Bristol book warehouse made national news.
The capitalist past of me was offended that all of those books, some of which were mine that I had taken there for them to sell on my behalf, were just being given away. I felt better about this once I'd visited and made up for my losses.
The anarchist past of me loved the idea of the free distribution of knowledge.
The liberal part of me loved the fact that all sections of society were represented, from charities, to students, to squatters with dogs, to opportunistic wheeler dealers, to pensioners with walking sticks, all picking through the mess.
The English part of me loved how polite everyone was. There was no barging, no shouting, no fighting over anything. Just a melancholic air of acceptance of the literary post-apocalyptic feeling that pervaded.
If ever anyone wanted to stage an intellectual coup d’état in the UK all they would need to do would be to spray all the books in a warehouse like this with legionnaires, open the doors to the public and leak the story to the press. You would wipe out every free thinker in the area. I'm sure there's a book in that.*
* Idea published under a non-profit creative commons licence, thank you very much.
Free books at the Book Barn Hands off! Some of those are mine. I took boxes full of books in there for them to sell over the years, some not long before it closed. I'm quite annoyed about this. =[
Books' free-for-all in warehouse
People have been invited to help themselves to the books
People in Bristol have been invited to help themselves to free books at a warehouse which were left behind when the owners left the site.
Bookbarn's lease on the premises in Arnos Vale recently expired and when the firm moved out it left behind thousands of books.
Managers of the Paintworks site have invited people to help themselves.
This Bookbarn is in no way connected to the company BookBarn International at Hallatrow in North Somerset.
In no way connected? Except that they were sister stores running on the same account so money you earned in one store could be spent in the other. So I feel like they've given away some of my books. So I went down there on Friday and took goods of equivalent value. Felt better after that.
I also bumped into some squatters I know in there, busty loading book cases into a van. Apparently their fifth day on the job! And I got a gig out of it. I'll be playing another Occasional Cinema film night in Stokes Croft on April Fools Day.
:: Tuesday, December 09, 2008 :: Occasional Cinema
Wed 17th December, Stokes Croft, Bristol
This will be my first proper photo exhibition (ie more than one shot! I've got 56 in there I think) so I'm really excited about this. I'll also be DJing my favourite ominous film scores as well as some of Gusset's lesser heard soundtrack work after Manufactured Landscapes to close the night. Can't wait!
These two shots were taken just around the corner from my house this morning. They've been there a year but I was motivated to capture them when I read on the following on Bldg Blog last month:
"Researchers at the University of Glasgow, sponsored by the Joseph Rowntree Foundation, have spent the past two years asking young residents of Bradford, Peterborough, London, Glasgow, Sunderland, and Bristol to draw maps of their own individual urban experience in order to explore micro-territoriality as both a cause and a symptom of social exclusion. You can read the full PDF of their report here." [6MB PDF]
"Their research uncovered Bristol’s “postcode wars,” where gangs spray-paint their postcode in rival areas as a form of aggression". (Although these examples were actually in BS7 so don't really count. You'll notice a BS2 sneaks into one of them.)
I've seen things like this around plenty before but had no idea they were a local phenomenon. I'm going to see how many postcode zones I can collect. I've started a Postcode Wars Flickr group so others can contribute too.
Trying to show just how small Friend & Co is. Love the street scene painting on the hoarding.
Geoff Barrow says: "last week a me and a friend opened a little gallery in bristol its fuking tiny and the work is pretty cool it incudes work by marc bessant who does our artwork including 3rd it also has work by some fuking good local guys and faris from the band the horrors which looks like a mousaphant. friend-and-co.blogspot.com/ and the shop is here friendandco.bigcartel.com/ cheers for now Geoff {P}"
The Bristol: A Second Look competition is now open to the public vote. Check out all of the entries on the myspace link, above, or in the current issue on Venue magazine (pp80-81). Then vote for your favourite either by emailing bristolasecondlook@hotmail.co.uk or by dropping into Cyan Arts, 78 Covered Market, St Nick's Market, Bristol, before Sept 14th.
Obviously you can choose to vote for which ever one you think is best. If you pick one other than mine I'm not going to sneak into your house when you are asleep and poison your pets.
"Tollgate House is a now derelict 19 story building in the centre of Bristol" A little out of date. It's been demolished and replaced now, but these photos are great. Shame they are so small.
So now my entry for Bristol: A Second Look is in, not that I expect to get anywhere with it. It's just an image I like. My thinking behind it was this:
"The pictures have to represent a hidden or unnoticed aspect of Bristol. Show us what you think the soul of this city is. We want to see Bristol as known to the people who live here."
Where it was taken: It fits into the 'places which people might not normally be able to see category' as it is inside the clock tower on the roof of Colston 33, on Colston Avenue. The shot is sat on the drive arm for the clock, looking out through the clock face, across the centre to Eagle House (on the right) and the rear of the court house (on the left). You can also see the top of Carwardine's on St. Stephens St at the bottom of the frame.
What inspired you: Several things. The first was my love of getting into parts of buildings people don't normally see, which fortunately I get to do from time to time with my job. On this occasion I wasn't there for work related reasons except that my office is in the building and after some persuasion I talked the security guard into letting me onto the roof. I have always been fascinated by clockwork mechanisms so getting inside of the clock tower was a great scoop. The view out is not spectacular by any means, but as the clock has been sat there ticking away since 1928 I can't help but wonder what changes that face has seen with it's view across the city centre, especially through the Second World War, sat atop a building originally named Northcliffe House after Alfred Harmsworth (Lord Northcliffe), a man known for his warmongering through his newspaper empire. "Soon after the outbreak of the First World War the editor of The Star newspaper claimed that: "Next to the Kaiser, Lord Northcliffe has done more than any living man to bring about the war."" [Source]
In shops where clocks are on sale, the time on the clock face is almost always set to either ten to two or ten past ten, to give the impression of the clock face smiling. Although accidental, I like that fact that this has been captured at about a quarter to two, giving the impression of a slightly wonky, one-sided, knowing grin.
I happened to be working in Weston yesterday so had a look at the pier. These were taken around 10am and the blaze was under control by then.
I was listening to GWR **shudder** as I was driving towards Weston. (My excuse for listening to it was that the hire car was already tuned to it and the Weston story hooked me in as I was heading there.) The reports were ridiculous. They compared the loss of the structure to the Twin Towers and compared the outpouring of grief to when Diana died! Twats. Then some troll phoned in to try and give them a dose of perspective and told them it was a good thing it was gone as it needed modernising. Then the death threats for this guy started. It was hilarious. Exactly what shitty local radio is for.
I am sad to see this go, mainly because I fear some hideous new monstrosity may take its place. What I like about Weston is the air of grotty melancholy that surrounds all Victorian seaside towns. It's just not the English seaside without it.